Leonore Overture

collects the music and arts criticism of Keith Powers

Cape Cod Chamber Orchestra benefit concert features music of Stephanie Ann Boyd.

Composer Stephanie Ann Boyd. Mike Grittani photograph

Composer Stephanie Ann Boyd. Mike Grittani photograph

Going through a gate can mean leaving something behind. It can also lead to new experiences. For the Cape Cod Chamber Orchestra in its season-ending program, it means a little of both.

Conductor Matthew Scinto’s ensemble performs this Sunday in a benefit concert, Farewell to 2018, at Pilgrim Congregational Church in Harwich Port. The concert not only brings the ensemble’s first season to an end, it supports the Fostering a Dream Fund of Cape Cod, a non-profit dedicated to offering foster children music and dance lessons, and helping with funds for college applications. 

“The Fostering a Dream Fund provides children with music and dance lessons, giving them a gift they can take everywhere,” Scinto says. “The fund's director, Miriam Erickson, is devoted to helping children in foster care on Cape Cod. We are happy to help support them.”

As a spiritual and musical centerpiece for the concert, Scinto has programmed Stephanie Ann Boyd’s “Beyond the Gate.” Set for string orchestra, and premiered in 2011, “Beyond the Gate” grew out of Boyd’s experiences leading a summer camp for children—when she herself was just a high school student in Michigan. Her camp—Fresh Air and Fairies—was an outdoor and imaginative experience, where children spent time in the woods—“beyond the gate” of her yard—chasing dragonflies, eating blackberries and experiencing the world. 

“I wrote a poem about it at the time,” Boyd says, “and this work takes its inspiration from that. One of my favorite parts of the day was to take them on nature walks, and I sort of glorified that experience for the poem. We would literally go beyond the gate, go outside, and experience a different world.”

“Beyond the Gate” doesn’t use the actual words of the poem, but creates its pictures musically. “There is lots of cool glissando pizzicato in the cellos and basses,” she says, describing sliding and picking in the low strings. “It’s meant to convey these bugs springing from plant to plant. It was written for an ensemble of Canadian high school players, and because of that much of it is simple. There are some harmonics in the first movement, and some other elementary techniques used to convey a contemporary pastorale feeling.”

“ ‘Beyond the Gate’ spoke to me from the first time I sat with the score,” Scinto says. “The imagery she creates, such as the jumping bugs, or flowing water, was very compelling. Boyd has a smart approach to string writing, using different sounds the instruments are capable of. This makes for a varied palette within homogeneous instruments.”

The program also includes Haydn’s “Farewell” symphony, Corelli’s “Christmas” concerto, and Debussy’s “Danse sacrée et profane,” featuring guest harpist Charles Overton. But the focus remains on the fundraising, and creating awareness for children in need.

“Foster children are often a forgotten population,” says Erickson. “The Fostering a Dream Fund works to make foster children a little more happy by adding normalcy to their lives.”

The Cape Cod Chamber Orchestra performs a benefit concert for the Fostering a Dream Fund on Sunday, Dec. 9 at 3:00 p.m. in the Pilgrim Congregational Church, 533 Main. St., Harwich Port. Tickets ($30 advance, $35 at the door) are available at www.capecodchamberorchestra.org or by calling 508-432-1668.

Great recordings, 2018. A personal list.

William Cunningham's Poison of Choice premieres at Salem State University